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Online course: Biennale backstage | 26th January - 18th February | Deadline to apply: 16th January 2026 Biennale backstage: from concept to pavilion. Permissions, logistics, fundraising, and site scouting to curate and produce an exhibition at the Venice Biennale Everything you need to know about curating and organising an exhibition or a pavilion at the (Venice) Biennale. What is necessary to know about permissions, promotion, funding and more…to make a successful event. 26.01.2026 – 18.02.2026 Deadline: 16 January 2026 The Venice Biennale is a large-scale international contemporary art exhibition. In early May, thousands of art-world denizens descend in the city for the opening of a new edition of the Biennale, the closely watched pageant of contemporary art that has been running—with a few interruptions—since 1895. The Biennale is arguably the most prestigious exhibition in the world, filled with history and also cloaked in myth. The preview days bring 25,000 artists, collectors, curators, museum directors and journalists into the city, followed by 600,000 visitors in the six months after. For this reason it is extremely important to know how everything works.

590€

Cursos: AT THE VENICE BIENNALE SUMMER SCHOOL IN CURATORIAL STUDIES, VENICE OPEN CALL | 8 th June – 1 st September 2026 | Deadline for application 1 st March 2026 www.corsocuratori.com The School for Curatorial Studies is an ambitious and challenging project promoted since 2004 and conceived as a school committed to experimentation and interdisciplinary thinking. The main goals are to spread the knowledge in the field of visual arts and to introduce the students to the professions related to the art world, focusing on contemporary curatorial theory and practice and contemporary museology. The School’s activities are meant for all those interested and passionate in art, graduated students or professionals who want to deepen their knowledge and improve their practical skills. The School’s teaching staff is formed by Italian and international professionals, scholars, historians and art critics of recognized experience. Among them: Matt Williams (Camden Art Centre, London), Filippo Lotti (Sotheby’s), Chiara Barbieri (Peggy Guggenheim Collection), Alain Servais (Art Collector), Andrea Goffo (Found. Prada), Nicola Lees (Aspen Museum).